Caracalla
Caracalla, officially Marcus Aurelius Severus Antoninus, was Roman emperor from 198 AD to 217 AD. Born Lucius Septimius Bassianus at Lugdunum in 188 AD, he was named co-Augustus by his father Septimius Severus in 198 AD. After Severus died in 211 AD, Caracalla ruled jointly with his brother Geta before orchestrating Geta's murder later that year to claim sole power. Caracalla transformed imperial civic life by issuing the Constitutio Antoniniana in 212 AD, extending Roman citizenship to all free inhabitants of the empire. A devoted patron of the army, he increased military pay and introduced the silver antoninianus. He was assassinated near Carrhae in 217 AD during his eastern campaign.
Full Ruler HistoryCoin Gallery
1 specimensPhotograph credits
- KHM-ID67633 Obverse: Photoatelier, KHM; Kunsthistorischen Museum Wien, Münzkabinett · Photograph: CC BY-NC-SA 3.0 AT · Original title: Antoninus III. (Caracalla) · Source rendition retained; no further image edits by this collector. · Catalogue data: Kunsthistorischen Museum Wien, Münzkabinett · CC BY-SA 4.0 · Structured catalogue facts normalized for TerraNumis; original source retained. · Type data: American Numismatic Society · ODbL · Source evidenceReverse: Photoatelier, KHM; Kunsthistorischen Museum Wien, Münzkabinett · Photograph: CC BY-NC-SA 3.0 AT · Original title: Antoninus III. (Caracalla) · Source rendition retained; no further image edits by this collector. · Catalogue data: Kunsthistorischen Museum Wien, Münzkabinett · CC BY-SA 4.0 · Structured catalogue facts normalized for TerraNumis; original source retained. · Type data: American Numismatic Society · ODbL · Source evidence
- Mint
- Rom
- Weight
- 22.08 g
- Diameter
- 30 mm
- Die axis
- 12 h
- Museum
- Kunsthistorischen Museum Wien, Münzkabinett
- Catalogue reference
- RIC IV, I, 525a; Literatur; RIC IV-1 Caracalla [0525a]; ocre
Monetary Context and Denominational Function
During the reign of Caracalla (reigned 198 to 217 AD), the Roman monetary system was undergoing significant fiscal stress, which culminated in the introduction of the radiate antoninianus in 215 AD. In 214 AD, however, the traditional denominational hierarchy established under Augustus remained formally operational. At the core of this system sat the gold aureus, the silver denarius, and the base-metal civic denominations: the orichalcum sestertius and dupondius, accompanied by the pure copper as. The sestertius functioned as the cornerstone of daily market transactions, official state disbursements, and regional tax payments. Valued at one quarter of a silver denarius, or four asses, the sestertius was the largest copper-alloy coin in standard circulation, providing substantial purchasing power for goods, services, and local trade throughout the western provinces and the Italian peninsula. Because of its generous physical size and heavy module, the sestertius was also the premier vehicle for imperial propaganda. While smaller denominations like the denarius were distributed widely to soldiers as military pay, large bronze coins reached urban centers, civilian merchants, and public markets, disseminating official narratives of imperial legitimacy, dynastic stability, and military victory. RIC IV Caracalla 525A represents an elite tier of this ideological production, using the expanded flan of the sestertius to present a detailed tableau of Caracalla speaking directly to the troops upon whom his reign depended.
Production Standards and Mint Organization
The sestertius designated as RIC IV Caracalla 525A was struck exclusively at the principal imperial mint of Rome. Operating under the administrative oversight of the imperial treasury and supervised by the procurator monetae, the mint of Rome was divided into multiple workshops (officinae). Although base-metal issues of the early third century AD rarely bore explicit officina markings, internal die studies and shared stylistic traits suggest that bronze coinage production was coordinated across dedicated workshops alongside precious metal lines. Sestertii of the Severan period were cast as heavy, round copper-alloy flans before being hand-struck between engraved iron or bronze dies. In terms of metallurgical composition, third-century sestertii continued the tradition of orichalcum (a brass alloy of copper and zinc), though contemporary metallurgical analyses frequently show variable zinc content and significant additions of tin and lead to facilitate metal flow into deep die recesses. The typical target weight standard for a sestertius in this period ranged between 22 and 26 grams, with flan diameters commonly measuring between 30 and 33 millimeters, though individual specimens routinely deviated due to manual flan preparation and variable alloy mixtures. Surviving specimens show careful alignment and relief cutting, reflecting the technical skill of the Rome mint's celatores (die engravers) in rendering multiffigured historical scenes on heavy bronze blanks.
Obverse Design and Portraiture
The obverse of RIC IV Caracalla 525A presents a right-facing bust of Caracalla, portrayed laureate, draped, and cuirassed. By 214 AD, Severan portraiture had shifted away from the youthful, idealistic likenesses of Caracalla's joint reign with his father Septimius Severus, adopting instead an intensely severe and militaristic iconography. The portrait features a mature countenance characterized by closely cropped curly hair, a short, neat beard, a prominent brow, and a determined, stern facial expression often termed the 'soldier-emperor' style. The inclusion of both the cuirass (lorica) and drapery (paludamentum) emphasizes the emperor's identity as supreme military commander (imperator) actively serving in the field. The laurel wreath resting upon his head symbolizes martial triumph and divine favor, tied at the nape with ribbon ends that extend downward onto the imperial mantle. The engraver carefully articulated the scales or plates of the cuirass visible at the chest and shoulder, reinforcing the martial theme that permeates the entire issue. The obverse legend encircles the bust continuously within an outer beaded border, framing the imperial portrait with official titulature.
Reverse Iconography: The Imperial Adlocutio
The reverse of RIC IV Caracalla 525A features an intricate narrative scene traditionally classified in Roman numismatics as an adlocutio (harangue or formal address to the army). The composition depicts Caracalla standing in military attire upon a raised platform (suggestum), oriented toward the right. He raises his right hand in a formal gesture of address (adlocutio) toward an assembly of soldiers and officers positioned on the ground before him. Flanking the emperor on the suggestum are two senior military officers or imperial attendants standing attentive behind him. Below the platform and standing to the left, an officer and two legionaries look upward toward Caracalla, representing the rank-and-file of the imperial army. In the field behind the imperial group or the listening soldiers, a military standard (vexillum) is clearly visible, grounding the scene in the context of an active military camp or expeditionary field headquarters. The letters S C (Senatus Consulto) appear in the lower field or exergue, signifying the formal senatorial decree that legally authorized the striking of base-metal coinage in Rome. This dynamic, multi-figured tableau served to immortalize Caracalla's personal communication with his soldiers, reassuring the Roman populace that the frontier legions remained loyal, disciplined, and unified under their emperor's direct leadership.
Inscriptional Evidence and Titulature
The legends on both faces of RIC IV Caracalla 525A provide precise epigraphic evidence that establishes the political background and absolute chronology of the coin. The obverse legend reads M AVREL ANTONINVS PIVS AVG GERM, expanding epigraphically as Marcus Aurelius Antoninus Pius Augustus Germanicus. Here, Marcus Aurelius Antoninus preserves the dynastic name Caracalla received upon his elevation within the Antonine lineage, while Pius indicates his dutiful piety toward the gods and his deified father. Augustus denotes his supreme imperial status, and the agnomen Germanicus records his formal assumption of the victory title commemorating military success over the Germanic tribes along the northern frontier in late 213 AD. The reverse legend reads P M TR P XVII IMP III COS IIII P P S C, expanding as Pontifex Maximus, Tribunicia Potestate XVII, Imperator III, Consul IIII, Pater Patriae, Senatus Consulto. The title Pontifex Maximus designates Caracalla as the high priest of the Roman state religion; Tribunicia Potestate XVII indicates his seventeenth renewal of tribunician power; Imperator III marks his third imperial salutation for military victory; Consul IIII records his fourth ordinary consulship (which he entered in 213 AD); and Pater Patriae designates him as Father of the Country. The formula S C confirms that the bronze coinage was issued by authority of the Senate.
Typology and Chronological Placement
The chronological placement of RIC IV Caracalla 525A is securely fixed to the calendar year 214 AD by the convergence of the imperial titles recorded on the reverse. Caracalla held the tribunician power (Tribunicia Potestate) for the seventeenth time from January 1, 214 AD until roughly the end of that year, alongside his fourth consulship (COS IIII). The year 214 AD was an eventful period following Caracalla's campaigns along the Rhine and Danube frontiers and preceding his movement eastward toward Parthia. During this year, the Rome mint produced an extensive programmatic series of bronze sestertii and silver denarii focused on military themes, including representations of Victory, trophies, captive Germans, and imperial harangues. Within the classification established by Harold Mattingly and Edward A. Sydenham in The Roman Imperial Coinage (RIC), type 525A is distinguished specifically by its reverse combination of the military address with the seventeenth tribunician renewal and the Germanicus title on the obverse. While closely related types share similar reverse compositions or depict Caracalla accompanied by different numbers of attendants, type 525A represents an exact die-type coupling that crystallizes the military ideology of the Severan court midway through Caracalla's sole rule.
Circulation, Wear, and Archaeological Recovery
Although minted at Rome, sestertii of Caracalla enjoyed wide circulation throughout Italy and the western provinces of the Roman Empire, including Gaul, Hispania, Britain, and the Germanies. In the military zones along the Rhine and Danube frontiers, where Caracalla had spent substantial time campaigning in 213 AD, large bronze coins were heavily utilized in camp economies and regional trade networks. Over the course of the third century AD, progressive debasement of the silver denarius and the subsequent introduction of the antoninianus led to shifting patterns in bronze circulation. Sestertii, possessing considerable intrinsic copper value, frequently remained in circulation for several decades, accumulating substantial mechanical wear, edge knocks, and natural patination before entering hoards or archaeological strata. By the mid-third century AD, rapid inflation caused many older Severan sestertii to be hoarded or melted down for emergency re-striking. Today, surviving specimens of RIC IV Caracalla 525A are preserved in major public numismatic collections and documented in excavation reports, providing modern historians and archaeologists with tangible evidence of third-century Roman military communications and imperial monetary policy.
Catalog Data
- Denomination
- Copper-alloy sestertius
- Material
- Not recorded
- Series date range
Authority and vocabulary links: Wikidata and Nomisma.org.
References
- Coins of the Roman Empire in the British Museum, Vol. V: Pertinax to Elagabalus. Caracalla, Rome, 214 AD
- Description historique des monnaies frappees sous l'Empire romain, Tome IV. Caracalla, no. 250ff
- The Roman Imperial Coinage, Vol. IV, Part I: Pertinax to Geta. pp. 297-299, no. 525A
- Online Coins of the Roman Empire: RIC IV Caracalla 525A. ric.4.crl.525A
