Titus
Titus (Titus Flavius Caesar Vespasianus Augustus) ruled as Roman emperor from AD 79 until his premature death in AD 81, standing as the second monarch of the Flavian dynasty and the first biological son to succeed a Roman emperor. Before his accession, Titus achieved military renown by capturing Jerusalem in AD 70 during the First Jewish-Roman War, an achievement commemorated on the triumphal Arch of Titus in Rome. As emperor, he earned immense popularity through generous public philanthropy, presiding over the completion of the Colosseum and providing relief following the catastrophic eruption of Mount Vesuvius in AD 79 and a major fire in Rome in AD 80.
Full Ruler HistoryCoin Gallery
1 specimensPhotograph credits
- KHM-ID946 Obverse: Photoatelier, KHM; Kunsthistorischen Museum Wien, Münzkabinett · Photograph: CC BY-NC-SA 3.0 AT · Original title: Titus · Source rendition retained; no further image edits by this collector. · Catalogue data: Kunsthistorischen Museum Wien, Münzkabinett · CC BY-SA 4.0 · Structured catalogue facts normalized for TerraNumis; original source retained. · Type data: American Numismatic Society · ODbL · Source evidenceReverse: Photoatelier, KHM; Kunsthistorischen Museum Wien, Münzkabinett · Photograph: CC BY-NC-SA 3.0 AT · Original title: Titus · Source rendition retained; no further image edits by this collector. · Catalogue data: Kunsthistorischen Museum Wien, Münzkabinett · CC BY-SA 4.0 · Structured catalogue facts normalized for TerraNumis; original source retained. · Type data: American Numismatic Society · ODbL · Source evidence
- Mint
- Rom
- Weight
- 3.21 g
- Diameter
- 17 mm
- Die axis
- 5 h
- Museum
- Kunsthistorischen Museum Wien, Münzkabinett
- Catalogue reference
- RIC II, Part 1 (second edition) Titus 49
Monetary Context and Imperial Accession
When Vespasian died on 24 June AD 79, Titus succeeded him without civil disruption, marking the first direct father-to-son imperial succession in Roman history. The imperial monetary system had been firmly stabilized under Vespasian following the catastrophic civil wars of AD 68 to 69. Titus retained the monetary structures established by his father, using the central mint of Rome to announce his elevation and reinforce continuity. The denarius served as the backbone of Roman state expenditure, funding military stipends, administrative payrolls, and public building programs. In early Flavian administration, silver output remained substantial, ensuring that the accession of a new princeps was swiftly communicated to legions and provincial administrations through newly minted coin types. The issue catalogued as RIC II, Part 1 (second edition) Titus 49 fulfilled this critical dual role: meeting daily fiscal obligations and broadcasting imperial legitimacy through explicit titles and military iconography.
Production Standards and the Mint of Rome
All specimens of RIC II, Part 1 (second edition) Titus 49 were produced at the principal imperial mint in Rome. Production involved manual die-engraving and striking with hinged or loose iron dies on cast silver flans. The Flavian monetary authorities followed the metallurgical standard introduced by Nero in AD 64, which established a theoretical weight of 1/96th of a Roman pound (approximately 3.38 grams). In practice, Flavian denarii typically range in weight between 3.10 and 3.45 grams, with an average weight clustered near 3.25 to 3.35 grams, and diameters generally measuring between 18 and 20 millimeters. Metallurgical analyses of late first-century silver demonstrate that the mint operated with an alloy containing approximately 80 to 82 percent silver, with the remainder composed of copper and trace elements. The Rome mint was organized into specialized workshops, or officinae, which maintained rigid quality control over flan weights and die alignment, typically resulting in a consistent six-o'clock or twelve-o'clock die axis.
Obverse Iconography and Imperial Portraiture
The obverse of this denarius presents a right-facing, mature portrait of Titus wearing a laurel wreath tied at the nape of the neck with ribbon ends extending downward. Flavian portraiture is noted for its veristic, individualized approach, contrasting with the idealized conventions of the Julio-Claudian era. The portrait of Titus emphasizes broad, fleshy facial planes, a defined jawline, and a strong neck, deliberately evoking the physical traits of Vespasian to project dynastic stability and familial continuity. The laurel wreath symbolizes imperatorial triumph, civic virtue, and divine favor. The engraving exhibits the high relief and refined anatomical modeling characteristic of the Rome mint during the early Flavian period, conveying both military authority and civil dignity.
Reverse Iconography: The Captive and the Trophy
The reverse iconography portrays a male captive kneeling on the ground in front of an upright trophy of arms. The trophy consists of a vertical wooden post adorned with captured spoils, typically including a cuirass, shields, and spears, which stood as an age-old Greco-Roman symbol of battlefield victory. At the foot of this monument, the captive is depicted in an attitude of complete submission, with hands bound behind his back. While earlier Flavian issues explicitly commemorated the subjugation of Judaea with legend formulas like IVDAEA CAPTA, this generic depiction of a captive beneath a trophy functioned as a broad emblem of Roman dominance and imperial virtus. It evoked Flavian military triumphs generally, while simultaneously referencing contemporary successes on the frontiers, notably the campaigns led by Gnaeus Julius Agricola in Britain.
Inscriptions and Epigraphic Analysis
The obverse inscription reads IMP TITVS CAES VESPASIAN AVG P M. In this epigraphic sequence, Titus asserts his status as imperator (IMP), followed by his personal name, dynastic nomen, and the title Augustus (AVG). The concluding title, Pontifex Maximus (P M), records his assumption of the chief priesthood of Rome, a traditional honor assumed by Roman emperors shortly after accession. The reverse legend reads TR P VIIII IMP XV COS VII P P, providing a secure epigraphic formula for the coin. It denotes that Titus held tribunician power for the ninth time (TR P VIIII), had received his fifteenth imperatorial acclamation (IMP XV), had served his seventh consulship (COS VII), and was honored as Pater Patriae (P P, Father of his Country). The lettering is rendered in standard Roman capital script, engraved evenly along the borders within beaded outer rims.
Typology and Chronological Placement
The precise combination of titles provides a tight chronological window for the striking of RIC II, Part 1 (second edition) Titus 49. Titus began his ninth annual grant of tribunician power on 1 July AD 79 and held his seventh consulship throughout the calendar year 79 before entering his eighth consulship on 1 January AD 80. Furthermore, his fifteenth imperatorial acclamation (IMP XV) was awarded in late summer or autumn of AD 79, likely resulting from Roman advances in northern Britain. Consequently, this denarius can be securely dated to the second half of AD 79, between approximately September and December of that year. Within the second edition of the Roman Imperial Coinage catalog, this issue is catalogued under Titus's autonomous imperial coinage as catalogue number 49, grouped alongside parallel issues in gold and silver that celebrated imperial victories and dynastic succession.
Circulation, Hoard Evidence, and Monetary Impact
Denarii of Titus from AD 79 entered circulation during a critical transitional period in imperial history. The silver coinage of the Rome mint circulated across the empire, with particular concentration in the western provinces, military garrisons along the Rhine and Danube frontiers, and throughout Italy. Hoard data from Britain, Gaul, and Germany demonstrate that Flavian silver remained an active component of the monetary stock for more than a century, continuing to circulate alongside Trajanic and Antonine issues until the major debasements of the Severan period. Because this issue was struck for only a brief interval of a few months in late AD 79, surviving specimens represent a targeted chronological snapshot of Flavian administrative finance and political messaging immediately following the transition of power.
Catalog Data
- Denomination
- Denarius
- Material
- Silver
- Series date range
Authority and vocabulary links: Nomisma.org.
References
- Coins of the Roman Empire in the British Museum, Volume II: Vespasian to Domitian. Titus, Rome Mint, AD 79
- The Metallurgy of Roman Silver Coinage: From the Reform of Nero to the Reform of Trajan. pp. 235-242
- Online Coins of the Roman Empire: RIC II, Part 1 (second edition) Titus 49. ric.2_1(2).tit.49
- The Roman Imperial Coinage, Volume II, Part 1: From AD 69 to 96 (Vespasian to Domitian). p. 196, no. 49
