Trajan

Trajan, born Marcus Ulpius Traianus in Hispania Baetica, served as Roman emperor from 98 AD until his death in 117 AD. Remembered as one of the Five Good Emperors, he was officially acclaimed by the Roman Senate as Optimus Princeps, or 'best ruler.' Renowned as a brilliant military commander, Trajan expanded the Roman Empire to its greatest territorial extent through the conquest of Dacia, the annexation of Nabataea as Arabia Petraea, and sweeping campaigns against the Parthian Empire in Armenia and Mesopotamia. Beyond his martial achievements, Trajan was celebrated for civic philanthropy, extensive public works throughout Italy and the provinces, and respectful cooperation with the Senate.

Full Ruler History

Monetary Context and Imperial Dynastic Policy

During the reign of Trajan (AD 98 to 117), the Roman silver denarius served as the operational backbone of imperial state expenditure, military pay, and urban commerce across the empire. Early in his administration, Trajan conducted a major recoinage and monetary consolidation, heavily aided by the bullion secured from the Dacian campaigns around AD 106. The standard silver denarius under Trajan maintained an average weight of approximately 3.25 grams with a silver fineness around eighty-nine to ninety percent, established following the earlier monetary adjustments of the Flavian era. Within this stable fiduciary framework, Trajan utilised the imperial coinage not only to announce military victories, public monuments, and civic benefactions, but also to articulate a cohesive dynastic ideology. The issue of RIC II Trajan 743 occupies a specific place within this monetary landscape. Unlike the abundant standard denarii bearing the emperor's own portrait and titles, consecration issues for imperial women were comparatively restricted in volume. The death of Marciana, who had previously been granted the title of Augusta around AD 105, prompted the Senate to decree her divine status as Diva Augusta. Striking silver denarii with her consecration types served both a religious and a fiscal purpose, introducing sanctified dynastic imagery into everyday economic exchange while asserting the divine favor resting upon Trajan's family.

Production Standards and Mint Organization

The production of RIC II Trajan 743 was carried out exclusively at the imperial mint in the capital city of Rome. The Rome mint was divided into multiple distinct operational workshops or officinae, which coordinated the preparation of flans, the engraving of dies, and the striking process. Silver flans for denarii of this period were cast in mold clusters before being hand-hammered between paired iron or bronze dies. The standard target weight for denarii during the mid-to-late Trajanic period hovered between 3.20 and 3.40 grams, with typical diameters ranging between 18 and 20 millimeters. Die alignment was predominantly executed on a vertical axis, typically conforming to a six o'clock or twelve o'clock orientation. The engraving of the dies for the Marciana consecration series was entrusted to the premier craftsmen of the Roman mint, evidenced by the intricate rendering of Marciana's complex coiffure and the energetic plumage of the reverse eagle. While regular imperial types were struck in very large quantities across multiple officinae, the dies allocated for Diva Marciana denarii were far fewer in number, reflecting a specialized, commemorative emission integrated into the central mint's broader silver schedule.

Obverse Iconography and Imperial Portraiture

The obverse of RIC II Trajan 743 features the draped bust of Marciana facing right. Her portrait is characterized by an elaborate and imposing court hairstyle typical of the late first and early second centuries AD. The front of her hair is arranged into a voluminous, crescent-shaped diadem or toupet of tightly packed curls, rising prominently above the forehead. Behind this high frontal structure, the remaining hair is drawn back smoothly and gathered into a complex braided coil resting on the crown of the head. Marciana is depicted with classical, idealized facial features that nevertheless maintain family resemblances to Trajan, notably the firm jawline and straight profile. Drapery is gathered elegantly across her truncation and left shoulder, underscoring her matronly dignity and posthumous imperial rank. In Roman numismatic convention, the diadem combined with the stephane-like height signified both her imperial status as Augusta and her elevated divine transition following the act of apotheosis decreed by the Roman Senate.

Reverse Iconography and the Consecratio Motive

The reverse of the coin exhibits a potent visual symbol of Roman imperial apotheosis: the eagle of Jupiter standing on a sceptre. Specifically, the bird is depicted walking or striding to the left with its wings spread open, while its neck turns backwards to face right. Its talons firmly clasp an ornamental sceptre oriented horizontally beneath its body. In Roman state religion and imperial funerary ceremony, the release of an eagle from the top of the funeral pyre symbolized the soul of the deceased emperor or Augusta ascending directly into the heavenly realm of the gods. While empresses and deified women were often associated with the peacock of Juno in later Antonine issues, early Trajanic practice readily employed the Jovian eagle, highlighting the supreme divine mandate of the Ulpian dynasty. The sceptre under the eagle's feet denotes sovereign authority and divine protection, establishing that the deceased Augusta had transitioned from earthly matriarch to an eternal celestial patron of the Roman state.

Inscriptions and Epigraphic Meaning

The epigraphy of RIC II Trajan 743 is concise, solemn, and unburdened by administrative dating formulae. The obverse legend reads DIVA AVGVSTA MARCIANA, running continuously around the bust. The word DIVA explicitly denotes her deification, confirming that the coin was produced posthumously following the senatorial decree of consecratio. The retention of AVGVSTA reaffirms the paramount imperial title conferred upon her during life, while MARCIANA identifies the subject by her personal cognomen. The reverse legend consists of the single word CONSECRATIO, inscribed along the upper perimeter or across the field surrounding the eagle. This legend explicitly labels the religious and constitutional ceremony of imperial deification. The absence of Trajan's own name, imperial titles, or tribunician dating years is characteristic of imperial consecration issues, where the visual and epigraphic focus was directed entirely toward the deceased person and her entry into the pantheon of divi.

Typology and Chronological Classification

Within the typology of Roman imperial numismatics, RIC II Trajan 743 forms part of a coordinated posthumous series produced in gold, silver, and bronze. In Bernhard Woytek's modern corpus Die Reichspragung des Kaisers Traianus, the type is catalogued under type MIR 718. The fundamental chronological anchor for this issue is the death of Marciana, recorded in epigraphic and literary records as occurring around late August in AD 112, shortly before the dedication of Trajan's Forum. Following her funeral and senatorial deification, the Rome mint initiated her consecration issues, which continued to be struck intermittently between late AD 112 and Trajan's death in AD 117. Variant dies within RIC II 743 exhibit minor artistic differences in the angle of the eagle's wings, the precise detailing of Marciana's braided hair coils, and the presence or absence of a jewel in the diadem. The denarius stands alongside parallel emissions featuring an eagle with closed wings, a peacock, or an ornate carpentum, all celebrating aspects of her funerary honors.

Circulation, Hoard Evidence, and Monetary Impact

Although minted primarily as commemorative and dynastic currency, denarii of RIC II Trajan 743 entered active circulation alongside Trajan's standard commercial issues. Hoard evidence from Roman Britain, the Rhine frontier, and the Danubian provinces demonstrates that silver consecratio denarii circulated widely throughout the second century AD. Because they conformed precisely to the weight and silver purity of contemporary Trajanic denarii, they were accepted universally without tariff distinctions. However, due to their significantly smaller production volumes relative to Trajan's staple victory and civil types, specimens of Marciana are consistently scarce in regional stray finds and hoard deposits. The coins remained in general circulation well into the Antonine and Severan periods, often appearing in hoards with substantial wear alongside coins of Hadrian, Antoninus Pius, and Marcus Aurelius, until the comprehensive debasements of the third century AD prompted their eventual withdrawal and melting for bullion.

Catalog Data

Ruler
TrajanNomisma
Denomination
Denarius
Material
Silver
Series date range

Authority and vocabulary links: Nomisma.org.

References

  1. Coins of the Roman Empire in the British Museum, Vol. III: Nerva to Hadrian. pp. 124-126
  2. Online Coins of the Roman Empire (OCRE): RIC II Trajan 743 (denarius). Type Record ric.2.tr.743_denarius
  3. The Roman Imperial Coinage, Vol. II: Vespasian to Hadrian. p. 299, no. 743
  4. Untersuchungen zur romischen Reichspragung des zweiten Jahrhunderts, Teil I: Die Reichspragung zur Zeit des Traian. pp. 198-202
  5. Die Reichspragung des Kaisers Traianus (98-117), Moneta Imperii Romani 35. pp. 444-446, MIR 718